| The design of Murano Millefiori pendants originated | | | | make a longer rod with a smaller diameter. By |
| in the middle of the 1800's, but they have | | | | repeatedly cutting the rod, and drawing it out |
| evolved from a technique that goes back much | | | | again, it's possible to scale down the design as |
| further. The basic technique of producing | | | | small as desired. |
| concentric ring patterns has been seen in | | | | During the Renaissance peak of Murano glass |
| glassware from Ancient Rome and Alexandria. | | | | production, Murrine were mostly used for making |
| The technique was further enhanced at Murano | | | | decorative spheres, glass pearls, and walking |
| during the Renaissance period, eventually evolving | | | | canes. Classic Millefiori jewelry arrived later, but |
| into the modern techniques that make Millefiori | | | | not before a dark period in Murano's history. In |
| pendants, and other Millefiori jewelry, so popular | | | | the 18th Century, Napoleon imposed stiff taxes |
| today. | | | | on Murano glass, he wanted to crush the industry |
| Many glass working techniques involve | | | | for political reasons. Only a handful of kilns |
| manipulating a blob of molten glass on the end of | | | | remained open, doing what they could to pass on |
| a metal rod. Ancient glass workers would knead a | | | | the glass making skills to successive generations. |
| blob of colored glass into a rod shape, and then | | | | Foreign control of the area finally weakened in the |
| dip it into molten glass of different colors, so that | | | | early 1800's, and Murano's glass workers exploited |
| layers of different colored glass would be built up. | | | | the political distractions of the period to rebuild |
| A cross section of the rod would show a pattern | | | | their industry. It was in this period that Murano |
| of concentric colored rings, and this was exploited | | | | Millefiori designs started to appear, in the form of |
| by slicing the rod into disks, and then fusing them | | | | Millefiori pendants and other Millefiori jewelry. |
| onto glassware to form a pattern. | | | | Millefiori is an Italian word meaning 'a thousand |
| These rods are called Murrine, and it's believed the | | | | flowers'. It first appeared in the Oxford English |
| technique for making them was brought to | | | | Dictionary in 1849, this gives an indication of when |
| Venice by Byzantine glass workers, fleeing | | | | the rebirth of the technique became common |
| Constantinople after it's defeat in the 4th crusade. | | | | knowledge outside Venice's glass making circles. |
| Shortly after, Venice's glass workers were | | | | Millefiori pendants are made by taking slices from |
| confined to the island of Murano due to the fire | | | | thin drawn out Murrine, and arranging them in |
| risk from their kilns. Having so many skilled glass | | | | circular patterns in a disk shaped mold. The gaps |
| workers in a confined area led to Murano | | | | are filled in with glass powder before firing in a kiln |
| becoming a center of excellence for artistic | | | | to fuse the whole design into a single piece of |
| glassware, they went on to dominate the market | | | | glass. Similar techniques are used for other |
| for several hundred years. | | | | Millefiori jewelry items, in particular cufflinks and |
| Around the end of the 15th Century, Marietta | | | | earings. Millefiori glass is also used for other |
| Barovier, daughter of the famous Master glass | | | | ornaments, such as bowels and plates. |
| worker Angelo Barovier, pioneered a technique | | | | The molds at the heart of Millefiori glass making |
| that formed a star pattern in the center of the | | | | are fixed, but the designs they produce are |
| design. The molten glass rod was pressed into a | | | | completely unique. The colors used, the number |
| metal mold to make it into a star shaped rod, | | | | of layers added, the way the Murrine are drawn, |
| which was then fired in a cylindrical mold packed | | | | not to mention the liquid nature of the molten |
| with glass powder of a different color. This | | | | glass, means that each Murrine has it's own |
| restored the cylindrical shape, with the star | | | | individual characteristics. Then the cut sections of |
| pattern embedded in the center. | | | | Murrine are selected and placed by hand to form |
| Different mold patterns were added, leading to | | | | the overall Millefiori design, with the final firing |
| the petal shaped designs that characterize Murano | | | | adding its own little element of randomness into |
| Millefiori glass. Murrine are quite short and fat | | | | the myriad of Millefiori patterns. No two pieces of |
| when first made, typically about 6 inches long and | | | | Millefiori glass are identical, adding to the attraction |
| 3 inches in diameter, they are then drawn out to | | | | of the beautiful colorful designs. |